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The noir qualities are immeasurably enhanced by Monk's oblique phrasings as well as the eerie resonance of the Fugazi. The recreation of an old 1920s hit, "There's Danger in Your Eyes, Cherie," is another of the highlights from Thelonious Alone in San Francisco that was never recorded again by Monk. Monk, the son of jazz great Thelonious Monk and administrator of the late pianist's estate, filed a lawsuit Tuesday against Fort Bragg, Calif.-based North Coast Brewing Company. This freeform composition is framed within a blues structure, yet reveals all of the slightly askew freedom of a Monk original.
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His angular melodies and dissonant harmonies shook the jazz.
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It is unfortunate that the playful solitude of "Round Lights" was never revisited. So ranted Thelonious Sphere Monk, who proved his point every time he sat down at the keyboard. Again, the sound of the hall offers even more to enjoy from this performance. His nimble reflexes and split-second timing render this version superior. The audible maturity guiding Monk through the familiar, albeit offbeat, chord progressions of "Ruby, My Dear" is striking. He is obviously also enjoying what he is hearing. He was also noted for an idiosyncratic habit during performances: while other musicians continued playing, Monk would stop, stand up, and dance for a few moments before returning to the piano. Adding a bit of off-tempo improvisation, Monk propels and emphasizes the rhythmic swing even harder. Monk was renowned for a distinct look which included suits, hats, and sunglasses. "Blue Monk" still retains the proud stride and walking blues heritage of previous renderings. The overtones are rich and thoughtful in their ability to animate Monk's recreations of some of his most endearing works, such as the pair that opens this set. What is most immediately striking about these recordings is the rich and accurate sound stage at Fugazi Hall. As had become somewhat customary for Monk, he brought with him a healthy sampling from his voluminous back catalog, cover tunes, as well as a few new compositions. With the robust ambience of Fugazi Hall in San Francisco at his disposal, Thelonious Monk recorded ten unaccompanied tracks over two days to create a long-awaited sequel to his immensely endearing Thelonious Himself long-player.